Lenane |

lat. relatio non harmonica, French fausse kamano, kokoana-hloko. Qetella

Khahlano pakeng tsa molumo oa mohato oa tlhaho le phetoho ea eona ea chromatic-alternative ka lentsoe le fapaneng (kapa ka octave e fapaneng). Tsamaisong ea diatonic P. kutloano hangata e fana ka maikutlo a molumo oa bohata (o seng harmonica) - joalo ka ka ho toba. tikolohong, le ka molumo o fetang kapa molumo:

Ka hona, P. e thibetsoe ke melao ea kutloano. Motsoako oa degree ea tlhaho le phetoho ea eona ha se P., ha feela lentsoe le etellang pele le le boreleli, mohlala:

P. e lumelloa ka kutloano D ka mor'a tekanyo e tlaase ea bobeli, hammoho le ka caesura (sheba mehlala e ka holimo, col. 244).

Ho qoba P. e se e ntse e le tloaelo ea mokhoa o thata oa ho hanyetsa (15th-16th century). Mehleng ea Baroque (17th - 1st halofo ea makholo a 18th), ho bina ho ne ho lumelloa ka linako tse ling - e ka ba phello e sa bonahaleng maemong a tsoelo-pele ea lentsoe (JS Bach, Brandenburg Concerto 1, karolo ea 2, mekoallo 9 -10), kapa joalo ka e khethehileng. mokhoa oa ho hlalosa k.-l. liphello tse khethehileng, mohlala. ho bontša mesarelo kapa boemo bo bohloko (P. a1 – as2 mohlala A,

JS Bach. 'Misa ho h minor, No 3, bar 9.

JS Bach. Chorale "Singt dem Herrn ein neues Lied", bar 8-10.

ka tlase, e amahanngoa le polelo ea lentsoe Zagen - labalabela). Mehleng ea lerato le mehleng ea kajeno. Hangata 'mino oa P. o sebelisoa e le e' ngoe ea litšobotsi tsa ladoharmonics. tsamaiso ea mekhoa (haholo-holo, tlas'a tšusumetso ea mekhoa e khethehileng; mohlala: P. e - es1 ho Stravinsky's The Rite of Spring, nomoro ea 123, bar 5 - e thehiloeng ho mokhoa oa letsatsi le letsatsi). P. ka mohlala B (e kenyelletsang lithatho tse tahang tsa Kashcheevna) e hlalosoa ke ho amana le ho se nang diatonic. pheletso e tlase

JS Bach. Matthew Passion, No 26, bar 26.

NA Rimsky-Korsakov. "Kashchei ea sa shoeng", setšoantšo sa II, mekoallo 28-29.

tsamaiso le tšobotsi ea eona ea tone-semitone sekala. Mminong oa lekholong la bo20 la lilemo o sebelisoang haholo (ke AN Cherepnin, B. Bartok, joalo-joalo) li-terts tse peli tse kholo-monyane chord (e kang: e1-g1-c2-es2), e ikhethang ke P. ( e1-es2), hammoho le likhetho tse amanang le eena (sheba mohlala o kaholimo ho kholomo ea 245).

HAEBA Stravinsky. “Seliba se halalelang”.

Tloaelo bakeng sa mehleng ea kajeno 'Mino, ho kopanngoa ha mekhoa ho lebisa ho polyscale le polytonality, moo P. (ka tatellano le ka nako e le 'ngoe) e fetohang tšobotsi e tloaelehileng ea sebopeho sa modal:

HAEBA Stravinsky. Likotoana tsa piano "Menoana e Mehlano". Lento, mekoallo 1-4.

Ho seo ho thoeng ke. atonality enharmonic. litekanyetso tsa mehato lia lekanngoa, 'me P. e fetoha ntho e sa utloahaleng (A. Webern, concerto bakeng sa lisebelisoa tse 9, op. 24).

Lentsoe "P". - khutsufatso ea poleloana "non-harmonic P." (Sejeremane: unharmonischer Querstand). P. ke karolo ea sehlopha sa tatellano e hanetsoeng ea ho se lumellane e bolokileng bohlokoa ba eona, eo, ntle le phetoho ea P., e neng e kenyelletsa likamano tsa tritone. P. le tritone (diabolus in musica) li tšoana ka hore ka bobeli li ka ntle ho meeli ea ho nahana e thehiloeng tsamaisong ea li-hexachords (bona Solmization), 'me li tlas'a molao o tšoanang - Mi contra Fa (le hoja e sa tšoane):

J. Tsarlino (1558) o ile a nyatsa tse peli b. borarong kapa m. ba botšelela ka tatellano, kaha “ha ba kamanong e lumellanang”; inharmonious kamano e bontšoa ke eena (mohlaleng o le mong) ka bobeli ho P. le ho newts:

Ho tsoa bukeng ea G. Zarlino “Le istitutioni harmonice” (karolo ea III, khaolo ea 30).

M. Mersenne (1636-37), ha a bua ka Tsarlino, o bua ka P. “likamano tsa bohata” (likamano tse fosahetseng) ’me o fana ka mehlala e tšoanang ho triton le P.

K. Bernhard o hanela Likamano tsa bohata: tritones, kapa “half-quints” (Semidiapente), “excessive” octave (Octavae Superfluae), “half-octave” (Semidiapason), “excessive” unison (Unisonus superfluus), a fana ka mehlala hoo e batlang e le ka ho toba. ho pheta tse ka holimo ho tsoa ho Carlino.

I. Mattheson (1713) o khetholla linako tse tšoanang ka mantsoe a tšoanang le "melumo e nyonyehang" (widerwärtige Soni). Khaolo eohle ea 9 ea karolo ea 3 ea "Perfect Kapellmeister" e inehetseng ho. "Inharmonic P". Ha a hanyetsa lithibelo tse itseng tsa khopolo ea khale e le “ho hloka toka” (ho akarelletsa le metsoako e itseng e qotsitsoeng ke Zarlino), Matteson o khetholla pakeng tsa “ho sa mamellehe” le “ea khabane” P. (Ho arola “likamano tsa bohata” le “ho mamella” le “ho se mamelle” ho boetse ho fumanoa ho “Musical Dictionary” ea S. Brossard, 1703.) XK Koch (1802) o hlalosa P. e le “tatellano ea mantsoe a mabeli, ao molumo oa ’ona e leng oa linotlolo tse sa tšoaneng.” E, ho potoloha.

tsebe e utloisisa fis-mohato lentsoeng le tlase joalo ka G-dur, mohato oa af ho o ka holimo joalo ka C kapa F-dur. "Relatio non harmonica" le "non-harmonic P." li hlalosoa ke Koch e le li-synonymes, le tse latelang

e ntse e sebetsa ho bona.

EF Richter (1853) e thathamisa "non-harmonic P." ho "non-melodic moves", empa ho lokafatsa lintlha tse itseng tsa "ho khabisa" (tlatsetso) kapa molao-motheo oa "phokotso" (sehokelo sa mahareng):

Pina ea lerato ea batho ba Armenia "Garuna" ("Spring").

Khato e etsang keketseho. quart

, Richter o amana le P. Ho latela X. Riemann, P. ke kabo ea molumo o fetotsoeng ka nako, o sa thabiseng ho utloa. Ho sa thabiseng ho eona ha hoa lekana assimilation ea harmonics. likamano, tse ka bapisoang le lentsoe le sa hloekang. Pherekano e kotsi ka ho fetisisa ke ha u leba ho boraro-bo-bong ba lebitso le le leng; ka mohato oa tritone, P. "o iponahatsa ka ho toba" (mohlala, n II - V); Ntho e ka tekanyo ea tertsovy (mohlala, I - hVI) e nka boemo bo bohareng.

Hess de Calvet (1818) e hanela "motsamao o seng oa harmonic" o lebisang ho tritone e bulehileng.

, leha ho le joalo, e lumella "tsoelo-pele e seng ea harmonic" haeba e tsamaea "ka mor'a mateano" (caesuras). IK Gunke (1863) o khothalletsa ho qoba ka mokhoa o thata "likamano tse fapa-fapaneng (Kamano) ea sekala se bakoang ke ho se boloke lithane tse amanang" (mohlala oa P. o fanoeng ke eena ke thuto e tsoang ho b. thirds le ho tloha m. sext) .

PI Tchaikovsky (1872) naz. P. “boikutlo bo hanyetsanang ba mantsoe a mabeli.” BL Yavorsky (1915) o hlalosa P. e le khefu kamanong pakeng tsa melumo ea conjugate: P. - "conjugate juxtaposition of conjugate sounds in different octave and different voices ha matla a khoheli a etsoa ka phoso." Mohlala. (melumo e amanang - h1 le c2):

(e nepahetseng) empa ha ho joalo

(P.). Ho latela Yu. N. Tyulin le NG Privano (1956), ho na le mefuta e 'meli ea P.; ka lekhetlo la pele, mantsoe a bōpang P. ha a kenyelelitsoe sebopeho sa modal ka kakaretso (P. e utloahala e le leshano), ka lekhetlo la bobeli, a hlalosa sebopeho se akaretsang sa mokhoa (P. e ka amoheleha).

References: Hess de Calve, Khopolo ea 'Mino ..., karolo ea 1, Har., 1818, leq. 265-67; Stasov VV, Lengolo le eang ho Monghali Rostislav ka Glinka, "Theatrical and Musical Bulletin", 1857, October 27, e tšoanang bukeng: Stasov VV, Articles on Music, vol. 1, M., 1974, leq. 352-57; Gunke I., Tataiso e feletseng ea ho qapa 'mino, St. Petersburg, (1865), leq. 41-46, M., 1876, 1909; Tchaikovsky PI, Tataiso ea thuto e sebetsang ea kutloano, M., 1872, e tšoanang bukeng: Tchaikovsky PI, Poly. kolla. joalo., vol. III-a, M., 1957, leq. 75-76; Yavorsky B., Boikoetliso ba ho theha morethetho oa modal, karolo ea 1, M., 1915, leq. 47; Tyulin Yu. N., Privano NG, Theoretical Foundations of Harmony, L., 1956, leq. 205-10, M., 1965, leq. 210-15; Zarlino G., Le institutioni harmonice. Setšoantšo sa 1558, NY, (1965); Mersenne M., Harmonie universelle. La théorie et la pratique de la musique (P., 1636-37), t. 2, P., 1963, leq. 312-14; Brossard S., Dictionaire de musique…, P., 1703; Mattheson J., Das neu-eröffnete Orchestre…, Hamb., 1713, S. 111-12; hae, Der vollkommene Capellmeister, Hamb., 1739, S. 288-96, ke hore, Kassel - Basel, 1954; Martini GB, Esemplare o sia saggio fondamentale pratico di contrappunto sopra il canto fermo, pt. 1, Bologna, 1774, leq. XIX-XXII; Koch H. Chr., Musikalisches Lexikon, Fr./M., 1802, Hdlb., 1865, S. 712-14; Richter EF, Lehrbuch der Harmonie, Lpz., 1853 Riemann H., Vereinfachte Harmonielehre, L. – NY, (1868) Müller-Blattau J., Die Kompositionslehre Heinrich Schützens in der Passung seines Schülers L154pz Christoph, Bernard ua, 57.

Yu. H. Kholopov