Pono ea ho falla |

Pono e suthehang - mofuta oa counterpoint e rarahaneng, motsoako oa polyphonic oa lipina tsa thoriso (tse fapaneng, hammoho le tse tšoanang, tse tšoanang, tse behiloeng ka mokhoa oa ho etsisa), ho fana ka maikutlo a ho thehoa ha e le 'ngoe kapa tse' maloa. metsoako e tsoang ka lebaka la phetoho ea karo-karolelano ea pele ka ho hlophisa bocha (ho sisinyeha, ho sisinyeha) meloli ena e sa fetoheng. Ho itšetlehile ka mokhoa oa ho hlophisa bocha, ho ea ka lithuto tsa SI Taneyev, ho na le mefuta e meraro ea P. ho ea ho. karo-karolelano ea meloli ka bolelele, - khokahanyo e tsoang ho 'mino (bona mehlala ea' mino b, c, d, e) e thehoa ka ho fetisetsa melodi ho nako e le 'ngoe ho ea holimo kapa tlaase (ke hore, ho ea holimo); ka tsela e tšekaletseng, ho ipapisitsoe le phetoho ea motsotso oa ho kena ha molodi o le mong, lentsoe le amanang le le leng, - khokahano e tsoang ho e 'ngoe (sheba mehlala ea f, g) e thehoa ho tloha ho falla ha pina e' ngoe. mantsoe bakeng sa palo e itseng ea litekanyo (bets of a measure) ho ea ho le letona kapa le letšehali (ke hore, ka holimo);

SI Taneev. Ho tsoa bukeng "Mobile counterpoint ea ho ngola ka thata".

ka makhetlo a mabeli, ho kopanya thepa ea 2 e fetileng, - motsoako o tsoang (sheba mehlala h, i, j) e thehoa ka lebaka la nako e le 'ngoe. liphetoho ho karo-karolelano ea bophahamo le karo-karolelano ea nako ea ho kena ha melodic. likhetho (ke hore, ka ho otloloha le ka holimo).

Ho aesthetic Mabapi le polyphony, e le tlhahiso e fetotsoeng ea motsoako oa likarolo tse sa fetoheng, e le bonngoe ba ho nchafatsa le ho pheta-pheta, moo nchafatso e sa fihleng boemong ba boleng bo fapaneng, 'me ho pheta-pheta ho matlafatsoa ka bocha ba sebopeho, hoa bonahala. ho ba enngwe ya diponahatso tsa boikgethelo ba polyphonic. ho nahana (sheba Polyphony).

Boleng bo sebetsang ka ho fetisisa le kabo ke vertical-P. ho. Kahoo, ke setsebi. polygonal motheo. li-canon tsa sehlopha sa 1 (ntle le moo mantsoe a kenang ka nako e le 'ngoe le ka nqa e le' ngoe).

Ka mohlala, ka quadruple. fp. Lenaneong la AV Stanchinsky, ho hlaha litumello tse otlolohileng, tsamaiso ea eona e ka hlahisoang ke morero o latelang:

Mona Rl mabapi le R (sheba Risposta, Proposta) le R3 mabapi le R2 kena ka holimo octave; R2 e kena ka tlase ho bohlano mabapi le R1; Motsoako oa 1 oa pele oa b + a1, lihlahisoa tsa eona tse tsoang ho a2 + b1 le b2 + a3, motsoako oa 2 oa pele oa c + b1, lihlahisoa tsa eona tsa b2 + c1, ca + b3; ho ile ha sebelisoa counterpoint habeli ea duodecym (Iv = -11; bona ka tlase). Litumello ho vertical-P. k. - thepa ea li-canon tse sa feleng (ntle le li-canon ho Ke tla amohela) le li-canonical. tatellano ea sehlopha sa pele. Ka mohlala, ka melumo e monate-e lerata ea lihlooho tse peli. Lenaneong le sa feleng le hlahisitsoeng ke MI Glinka sephethong sa sehlohlolo sa coda ho tloha pheletsong ho ea ho opera Ruslan le Lyudmila, mantsoe a theha litumello tse latelang:

Mona: motsoako oa pele oa b + a1 (libareng 28-27, 24-23, 20-19 ho tloha qetellong ea ho fetella), motsoako o tsoang ho a + b1 (libareng 26-25, 22-21); ho sebelisitsoe counterpoint ea octave habeli (ka nepo, li-decimals tsa bohlano, Iv = -14). Mehlala ea vertical-P. hobane ka canon. sequences/ Ketso ya ho latelana: ya hlooho tse pedi. ho qaptjoa a-moll No. 13 Mme. C. Bach, mekoallo 3-4 (ho theoha ka metsotsoana); 'mino o matla haholo oa karolo ea 3 ea cantata "John oa Damaseka" ke Taneyev e na le mehlala e sa tloaelehang ea tatellano ea mantsoe a mane: ka palo ea 13 e thehiloeng boitsebisong ba karolo e ntseng e tsoela pele ea sehlooho (tatellano e theohang ka boraro, ho 'nete ka ho pheta-pheta ha mantsoe), palo ea 15 e ipapisitse le sepheo sa pele sa sehlooho (se rarahane ke phalliso e tšekaletseng). E otlolohileng-P. hobane - tšobotsi ea li-fugues tse rarahaneng le li-fugues tse nang le khanyetso e bolokiloeng. Mohlala, ho fugue e habeli e tsoang ho Kyrie ho Requiem V. A. Mozart, lihlooho tse peli tse fapaneng li theha khokahano ea mantlha ka har'a mekoallo (abbr. – tt.) 1-4; metsoako e meng ea lihlooho e latela hoo e ka bang ntle le li-interludes ho li-vols. 5-8 (octave permutation), 8-11, 17-20 (tabeng ea ho qetela permutation ho duodecime) joalo-joalo. Concentration contrapuntal. mekhoa (li-permutation tse otlolohileng tsa lihlooho tse 3) li khetholla ho tsosolosoa ha fugue e meraro ho C ho tloha FP. Hindemith's "Ludus tonalis" potoloho, moo khokahano ea pele ka li-vols. 35-37 le tse nkiloeng ho li-vols. 38-40, 43-45, 46-48. Ho Cis-dur fugue ho tsoa bukeng ea 1 ea Well-Tempered Clavier ka I. C. Theme ea Bach ea fugue le counterposition e bolokoang li theha lehokelo la pele ho tt. 5-7, tse nkiloeng ho li-vols. 10-12, 19-21 le ho feta. Sehlooho le likhanyetsano tse peli tse bolokiloeng fugue ke D. D. Shostakovich C-dur (No 1) ho tloha piano. cycle "24 preludes and fugues" e etsa khokahano ea pele ho li-vols. 19-26, e nkiloeng ho eona ka li-vol. 40-47, 48-55, 58-65, 66-73. E otlolohileng-P. hobane hape ke mokhoa oa bohlokoahali oa nts'etsopele le ho bopa li-fugues tse nang le li-interludes tse fapaneng tsa polyphonically. Mohlala, ho c-moll fugue ho tsoa bolumong ea 1 ea Bach's Well-Tempered Clavier, karolo ea pele (vol. 5-6) - ea pele, ea 4 (tt. 17-18) - derivative (Iv = -11, ka ho pheta-pheta habeli ha lentsoe le tlaase), ho kenyeletsa. 19 derivative ho tloha qalong ea 4th interlude (Iv = -14, le ho tloha 1st interlude Iv = -3); Phapang ea bobeli (vols. 9-10) - lekhetlo la pele, la bohlano (tt. 22-23) ke motsoako o nang le ho feto-fetoha ha mantsoe a mabeli a holimo. Ka homophonic le e tsoakiloeng homophonic-polyphonic. tse otlolohileng-P mefuta. hobane e ka sebelisoa ka tsela e 'ngoe kapa e' ngoe karolong efe kapa efe ea bona, mohlala. ha ho etsoa sehlooho kenyelletsong ea mokhatlo oa pele oa symphony ea bohlano ea Glazunov (1 vols. ho fihla palo ea 2 - ea pele, 4 t. ho fihlela palo ea 2 - derivative). Ha o bonts'a sehlooho se ka lehlakoreng mokhatlong oa 1 oa symphony ea 4 ea P. LE. Tchaikovsky (ea pele e qala ka vol. 122, e nkiloeng ho kenyeletsa. 128) permutation e otlolohileng ke mokhoa oa melodic. kholiso ea mantsoe. 'mino. Ka linako tse ling metsamao e emeng e sebelisoa meahong e bohareng ea mefuta e bonolo (L. Beethoven, fp. sonata op. 2 No 2, Largo appassionato: ea pele e bohareng ba sebopeho sa likarolo tse peli, ke hore. 9, li-derivatives - ka li-vols. 10 le 11); ka tsoelo-pele ea sonata, ena ke e 'ngoe ea mekhoa ea bohlokoa ka ho fetisisa le e sebelisoang haholo ea ho ntlafatsa maikutlo (mohlala, mokhatlong oa pele ho tloha ho Es-dur quartet ka V. A. Mozart, K.-V. 428: ea pele - li-vols. 85-86, li-derivatives - li-vols. 87-88, 89-90, 91-92). Hangata ho sebelisoa polyphonic. ho sebetsana le thepa ka thuso ea liphetoho tse otlolohileng likarolong tsa reprise, moo li kenyang letsoho ho nchafatsa molumo (mohlala, ho thothokiso ea Scriabin op. 32 No 1 Fis-dur, derivative incl. 25). Hangata litumello tse emeng li sebelisoa ha ho etsoa liqeto. likarolo tsa foromo (mohlala, ka khoutu ea Glinka ea Aragonese Jota: ea pele ke nomoro ea 24, e tsoang ho 25). E otlolohileng-P. hobane - e 'ngoe ea mekhoa e sebelisoang haholo ea polyphonic. mefuta e fapaneng (mohlala, mokhatlong oa 3 ho tloha quartet ea D-dur ea Borodin: ea pele ho reprise ke nomoro ea 4, kapa joalo-joalo. 111, derivative - nomoro ea 5 kapa joalo-joalo. 133; ho No.

Bophara ba li-counterpoints tse tšekaletseng le tse suthang habeli bo fokotsehile. T. n. "counterpoint with and without pauses" ho tsoa ho boima ba P. Mulu (e boletsoeng ke SI Taneyev ho "Mobile counterpoint" 'me e hlahisitsoe khatisong ea 1 ea MV Ivanov-Boretsky's Musical-Historical Reader, No 42) e ntse e le eona feela ka tsela ea eona mohlala oa mmino. tlhahiso, ka ho feletseng e thehiloeng horizontally-P. k.: polyphonic. sengoathoana se ka etsoa ka liphetolelo tse 2 - ka khefu (ea pele) le ntle le tsona (derivative); seoelo sena se sebetsa e le papiso e ntle ea mekhoa ea ho sebetsa ea benghali ba mehleng ea mokhoa o thata. Ho bohlokoa haholo hore mokhoa oa ho rapama le oa habeli-P. k. e ipapisitse le li-canon tse ling tsa sehlopha sa 2 (mohlala, ho utloahala joalo ka sehlohlolo sa nts'etsopele ho tloha karolong ea 1 ea symphony ea bohlano ea DD Shostakovich, canon e habeli, moo lihlooho tse kholo le tsa bobeli li kopantsoeng, palo ea 5) le canonical . tatellano ea sehlopha sa 32 (mohlala, karolong ea 2 ea quartet ea Myaskovsky No. 2, vol. 3 et seq.). Hoo e batlang e le hangata mefuta e boletsoeng ea P. ho. kopana ka makgetlo a mangata a nang le bohole bo fapaneng ba matseno. Ka mohlala, fugue e kang ricercar ho C-dur ho tloha moqolong oa pele oa Bach's Well-Tempered Clavier ha e le hantle e na le li-strettas tse rarahaneng haholoanyane; ka Credo (No 70) ho tloha 'Misa ka h-moll ka JS Bach, ea pele - vols. 1-12, li-derivatives - li-vols. 4-9, 17-21 . Ka har'a fugue e tsoang ho Ravel's Tomb of Couperin suite, metsamao e rarahaneng ka ho fetesisa ea strettas e hlahisa melumo e bonolo e sa utloahaleng e le tšobotsi ea moqapi enoa: tt. 34-37 - ea pele (stretta ka sehlooho ka ho tsamaea ka ho toba le sebaka sa ho kena sa tse peli tse robeli); tt. 35-37 - derivative ho counterpoint e ka fetohang e otlolohileng; TT. 39-41 - derivative sebakeng se sa fellang se ka thijoang ka kotloloho; tt. 44-46 - e tsoang ho e fetileng e nang le offset e rapameng (sebaka sa ho kena ke sa borobeli); tt. 48-50 - e nkiloeng ka mokhoa oa sepheo sa lipheo tse tharo. e otloloha ka habeli-P. ho.

Ka linako tse ling metsamao e tšekaletseng e fumanoa ka har'a li-fugues tse nang le boemo bo ts'oanang (mohlala, ho gis-moll fugues ho tloha vol. 1, As-dur le H-dur ho tloha vol. 2 of Bach's Well-Tempered Clavier; ho fugue ea ho qetela ho tloha concerto bakeng sa 2 FP Stravinsky).

Kenyelletsa. mohau o khetholla metsamao e otlolohileng 'mino oa WA Mozart, mohlala. ka sonata D-dur, K.-V. 576, likhaolo. 28, 63 le 70 (sebaka sa ho kena ka ho latellana ke karolo ea borobeli, metso ea botšelela le ea boraro-borobeli e nang le tumello e emeng).

Bonono bo boholo. metsamao e fapaneng-lefifi tshekaletseng ke ea bohlokoa, mohlala. in grand fugue Es-dur for organ by JS Bach, BWV 552, vol. 90 le seq.; mokhatlong oa 2 oa symphony ea 7 ea Glazunov, 4 e lekanya ho fihlela palo ea 16. Fugue ea ho qetela ea khoele ea quintet G-dur op. 14 Taneyev lihlooho tsa "fugue habeli" khokahanong e tsoang li etsoa ka phallo e otlolohileng (ka lithane tse 2) le tumello e otlolohileng:

Ka tsela e tšoanang le ea P. ho. e lokela ho behoa mofuta oa counterpoint e rarahaneng - counterpoint e lumellang ho imena habeli: motsoako o tsoang ho motsoako o thehoa ka ho imena habeli (sheba mehlala k, 1) kapa kaofela (sheba mohlala m) mantsoe a nang le li-consonance tse sa phethahalang ('minong oa lekholong la bo20 la lilemo - ho na le tse ling tse habeli ho fihla ho lihlopha). Ho ea ka mokhoa oa ho qapa, counterpoint, e lumellang ho habeli, e haufi haholo le vertical-P. ho., hobane lentsoe le habeli ha e le hantle ke phello ea tumello e emeng ea nako e habeli - ea boraro, ea botšelela, ea decimal. Tšebeliso ea ho pheta-pheta ka har'a metsoako e tsoang ho e fana ka maikutlo a ho kopana, boholo ba molumo; mohlala, selelekela le fugue bakeng sa fp. Glazunov, op. 101 No 3 recapitulation ea lihlooho tsa fugue habeli ka m. 71 ke ea pele, ho m. 93 ke motsoako o nang le tumello ea octave e otlolohileng le ka mantsoe a imenneng habeli; ho Phapang VI ho tloha ho Variations on a Theme of Paganini bakeng sa piano tse peli. Lutoslavsky qalong, lentsoe le ka holimo le tsamaea le tertian habeli, le tlaase le nang le li-triad tse kholo, ho tsoa ho tse sa nepahalang (letl. 6) lentsoe le holimo le tsamaea ka li-triad tse nyenyane tse bapileng, le tlaase le likarolo tse tharo.

P. ho. le counterpoint, e lumellang ho habeli, e ka kopanngoa le counterpoint e fetolehang (mohlala, ho nts'etsopele ea qetello ea symphony C-dur "Jupiter" ka WA Mozart, ketsiso ea canonical ka motsamao o tobileng ka mekoallo 173-175 ke ea pele, ka mekoallo 187-189 - derivative e nang le ho kheloha le ho feto-fetoha ha mantsoe, ka mekoallo 192-194 - motsoako o nang le tumello e otlolohileng le ka lentsoe le le leng feela le fetotsoeng), ka linako tse ling hammoho le mefuta e joalo ea melodic. liphetoho, tse kang ho eketseha, ho fokotseha, ho theha mehaho e rarahaneng haholo. Kahoo, ho fapana ha polyphonic. metsoako ka mekhoa. tekanyo e etsa qeto ea ponahalo ea 'mino FP. quintet g-moll (op. 30) Taneyev: bona, mohlala, linomoro 72 (original) le 78 (derivative le keketseho le tshekaletseng motsamao), 100 (derivative in doubly P. k.), 220 - ho qetela ( motsoako oa sehlooho se seholo le keketseho ea sona hane).

Khopolo ea counterpoint le counterpoint, e lumellang ho habeli, e ile ea ntlafatsoa ka botlalo ke SI Taneev mosebetsing oa hae oa mantlha "Mobile counterpoint ea ho ngola ka thata". Mofuputsi o theha notation e lumellang lipalo. ka ho khetholla ka nepo ho sisinyeha ha mantsoe le ho khetholla maemo a ho ngola P. ho. Tse ling tsa litlhaloso le likhopolo tsena: I - lentsoe le ka holimo, II - lentsoe le tlaase ka bobeli le bohareng ka mantsoe a mararo, III - lentsoe le tlaase ka mantsoe a mararo (mantsoe ana a bolokiloe ka li-derivatives); 0 - prima, 1 - ea bobeli, 2 - ea boraro, 3 - quart, joalo-joalo (mohlala o joalo oa digitization oa linako ho hlokahala bakeng sa ho eketsa le ho tlosa); h (e khuts'oane bakeng sa lat. horisontalis) - motsamao o otlolohileng oa lentsoe; Ih (e khuts'oane bakeng sa lat. index horisontalis) - pontšo ea motsamao o rapameng, o khethiloeng ka lipotoloho kapa ho otla (sheba mehlala f, g, h, i, j); v ( kgutsufatso bakeng sa lat. verticalis) – motsamao o otlolohileng wa lentswe. Ho sisinyeha ha lentsoe le holimo ho ea holimo le tlase ho lekanyetsoa ka nako e lumellanang le boleng bo nepahetseng, ho sisinyeha ha lentsoe le holimo ho ea holimo le ho theoha holimo ka nako e nang le letšoao la ho tlosa (mohlala, IIV = 2 - motsamao oa lentsoe le ka holimo. holimo ka karolo ea boraro, IIV = -7 - ho sisinyeha ha lentsoe le tlase holimo ka octave). Ho tse otlolohileng-P. j. tumello, eo ka eona lentsoe le ka holimo la khokahanyo ea pele (mofuta oa pele ho mantsoe a mabeli I + II) le bolokang boemo ba e ka holimo ho tswa ho derivative, e bitsoa ka ho toba (sheba mehlala b, c; setšoantšo se bontšang tumello e tobileng ka mantsoe a mabeli:

). Tumello, eo ho eona lentsoe le ka holimo la lentsoe la pele le leng boemong ba lentsoe le ka tlaase ho motsoako, le bitsoa se fapaneng (sheba mehlala d, e; setšoantšo sa eona:

).

Lihlooho tse peli tsa polyphonic motsoako o lumellang li-permutation tse otlolohileng (eseng feela tse fapaneng, empa hape - ho fapana le tlhaloso e tloaelehileng e sa nepahaleng - le e tobileng), e bitsoang. counterpoint habeli (doppelter ea Jeremane Kontrapunkt); mohlala, ho Inventions e habeli ea E-dur No 6 JS Bach ea mantlha - ka li-vols. 1-4, e nkiloeng - ka li-vols. 5-8, IV=-14 + II V=-7

). Lihlooho tse tharo. khokahanyo e lumellang motsoako oa mantsoe a 6 (lentsoe leha e le lefe la pele e ka ba holimo, bohareng kapa tlaase ho khokahanyo e tsoang ho tse ling) e bitsoa triple counterpoint (German dreifacher Kontrapunkt, Tripelkontrapunkt). Lipalo tse supang tumello ho triphony:

Ka mohlala, ka lintlha tse tharo tsa Inventions f-moll No 9 JS Bach: ea pele - ka li-vols. 3-4, li-derivatives - ka li-vols. 7-8

ho No. 19 ho tloha ho Shchedrin's "Polyphonic Notebook" - e tsoang ho v. 9. Molao-motheo o tšoanang o itšetlehile ka ho sebelisoa hanyenyane. quadruple counterpoint (Sejeremane vierfacher Kontrapunkt, Quadrupelkontrapunkt), e lumellang maemo a 24 a lentsoe (bona, mohlala, linomoro 5, 6, 7 karolong ea 1 ea cantata "Johanne oa Damaseka"; linomoro 1, 2, 3, 4 qetellong "Ka mor'a ho baloa ha Pesaleme ea 9 ea cantata "Ka mor'a ho Bala Pesaleme ea Taneyev, le ho fugue e-moll ho tloha potolohong ea "24 Preludes and Fugues" bakeng sa pianoforte Shostakovich - vols. 15-18 le 36 -39). Mohlala o sa tloaelehang oa li-counterpoint tse hlano - khoutu ea pheletso ea symphony C-dur ("Jupiter") ea WA ​​Mozart: ea mantlha ka li-vols. 384-387, tse nkiloeng ho li-vols. 387-391, 392-395, 396-399, 399-402; leano la tumello:

Algebraic. kakaretso ea linako tsa ho sisinyeha ha mantsoe ka bobeli (ka mantsoe a mabeli; ka boraro- le polyphony - bakeng sa para e 'ngoe le e 'ngoe ea mantsoe) e bitsoa pontšo ea motsamao o otlolohileng 'me e hlalosoa ke Iv (khutsufatso ea Selatine index verticalis; bona mehlala b. , c, d, e). Iv ke tlhaloso ea bohlokoa ka ho fetisisa lithutong tsa SI Taneev, hobane o khetholla litloaelo tsa tšebeliso ea linako tse entsoeng pakeng tsa mantsoe a polyphonic. lisele, le likarolo tsa ho tsamaisa lentsoe. Mohlala, ha u ngola motsoako oa pele ka li-counterpoint tse peli tsa decimal (ke hore Iv = -9), ke feela motsamao o fapaneng le o sa tobang oa mantsoe o nahanoang ka har'a moralo oa ho ngola ka thata, mme ho bolokoa ha quart ka lentsoe le holimo mme ha ho le ea mong ka lentsoe le tlase ha ho lumelloe ho qoba melumo e tsoang ho derivative. motsoako o thibetsoeng ke melao ea setaele sena. Tumello e ka etsoa ka nako efe kapa efe, ka hona, Iv e ka ba le boleng leha e le bofe, leha ho le joalo, ka ts'ebetso, mefuta e meraro ea tumello e atile haholo: li-decimal counterpoint tse peli (Iv = -9 kapa -16), duodecimes (Iv = - 11 kapa -18) le haholo-holo habeli octave counterpoint (Iv = -7 kapa -14). Sena se hlalosoa ke taba ea hore ha u lumella "counterpoint" e 'meli ea octave, decima le duodecima, harmonic e fetoha hanyane ka har'a li-derivatives. moko-taba oa khokahano ea mantlha (likhahla tsa liluma-'moho tsa pele hangata li lumellana le likhahla tsa liluma-'moho le li-derivative; ho itšetleha ho tšoanang ho teng pakeng tsa dissonances). Bokhoni ba ho etsa li-permutation tse otlolohileng ha ho senyeha. linako (ke hore sebelisa litekanyetso tse fapaneng tsa Iv) e na le bonono bo ikhethileng. mokhoa o lumellang moqapi ho fapanyetsana sonority ka bolotsana. E 'ngoe ea mehlala e hlahelletseng ke g-moll fugue ho tsoa bolumong ea 2 ea Bach's Well-Tempered Clavier: sehlooho le khanyetso e hanngoeng li theha lehokelo la pele ka mekoallo. 5-9; e nkiloeng ho tt. 13-17 (Iv=-14), 28-32 (Iv=-11), 32-36 (Iv=-2) le 36-40 (Iv=-16); ho phaella moo, ho tt. 51-55 ho derivative sehlooho se phetoa habeli ke sa botšelela ho tloha holimo (Iv = +5), ho tt. 59-63 tumello ho Iv=-14 ka ho menahana ha sehlooho habeli ka karolo ea boraro ho tloha ka tlase, le ho eketsoa ka karolo ea boraro ho tsoa holimo (Iv = -2). Ka 'mino ka mor'a Bach le ho fihlela lekholong la bo20 la lilemo. hangata ho sebelisoa permutation e batlang e le bonolo ea octave; leha ho le joalo, baqapi, ha harmonica e ntse e hola. Litokoloho li sebelisa matšoao a neng a batla a sa sebelisoe hakaalo nakong e fetileng. Haholo-holo, li fumaneha ka har'a canon. tatellano moo motsoako oa motsoako o entsoeng pakeng tsa risposta le ho kenngoa hape ha proposta: mohlala, mokhatlong oa 2 oa D-dur quartet ea Mozart, K.-V. 499, likhaolo. 9-12 (Iv = -13); mokhatlong oa pele oa Glazunov's Symphony No. 8, palo ea 26, likhaolo. 5-8 (Iv = -15); ka lekhetlo la pele ho opera "Meistersingers of Nuremberg", vol. 7 (Iv = -15) le vol. 15 (Iv = -13); setšoantšong sa 1 sa 3rd d. "Lipale tsa motse o sa bonahaleng oa Kitezh", palo ea 156, li-vols. 5-8 (Iv=-10); mokhatlong oa pele oa Myaskovsky's Quartet No. 12, likhaolo.

HA Rimsky-Korsakov. "Tale ea Motse o sa Bonahaleng oa Kitezh le Maiden Fevronia", ketso ea III, ketsahalo ea pele.

Khokahano e thehiloeng ke SI Taneyev le canon (e bukeng ea "The Doctrine of the Canon") e entse hore ho khonehe ho arola ka nepo le ka saense ho tseba melao-motheo ea ho senyeha. mefuta ea li-canon. Khopolo ea P. ea ho. e ile ea sebeletsa e le motheo oa tsoelo-pele e eketsehileng ea lithuto tsa Taneyev ka li-owls. musicology (SS Bogatyrev, "Double Canon" le "Reversible Counterpoint").

References: Taneev SI, Movable counterpoint ea ho ngola ka thata, Leipzig, 1909, M., 1959; ea hae, Doctrine of the Canon, M., 1929; Ivanov-Boretsky MV, 'Mali oa' Mino le oa histori, vol. 1, M., 1929; Bogatyrev SS, Double canon, M.-L., 1947; hae, Reversible counterpoint, M., 1960; Dmitriev AN, Polyphony e le ntlha ea ho bōpa, L., 1962; Pustylnik I. Ya., Movable counterpoint and free writing, L., 1967; Jadassohn S., Lehrbuch des einfachen, doppelten, drei- und vierfachen Contrapunkts, Lpz., 1884, id., in his Musikalische Kompositionslehre, Tl. 1, Bd 2, Lpz., 1926; Riemann H., Lehrbuch des einfachen, doppelten und imitierenden Kontrapunkts, Lpz., 1888. 1921; Prout, E., Double counterpoint le canon, L., 1891, 1893.

VP Frayonov