Tatelano |
Melao ea 'Mino

Tatelano |

Lihlopha tsa bukantswe
dipehelo le mehopolo

Late Lat. sequentia, ho khantša. – se latelang se latelang, ho tloha lat. sequor - latela

1) Mofuta oa lekholong la bohareng la lilemo. monody, sefela se binoang ka bongata ka mor'a Alleluya pele ho baloa Kosepele. Tšimoloho ea lentsoe "S". e amanang le tloaelo ea ho atolosa pina ea Alleluia, ho phaella ho eona ho hlajoa ke thabo (jubelus) ho liluma-nosi a – e – u – i – a (haholo-holo ho ea ho qetela ea tsona). Jubilee e ekelitsoeng (sequetur jubilation), eo qalong e neng e se na mongolo, e ile ea bitsoa S. Ho ba seketsoana (joaloka lentsoe "cadenza"), S. ke mofuta oa tsela. E ikhethang ea S., e khethollang ho tloha tseleng e tloaelehileng, ke hore e batla e ikemetse. karolo e etsang mosebetsi wa ho hodisa pina e fetileng. Ho theosa le makholo a lilemo, jubilation-S. e fumaneng sebopeho se fapaneng. Ho na le mefuta e 'meli e fapaneng ea S.: 1st e seng ea mongolo (e sa bitsoe S.; ka maemo - ho fihlela lekholong la bo9 la lilemo), 2nd - ka mongolo (ho tloha lekholong la bo9 la lilemo; ha e le hantle S.). Ponahalo ea sehopotso sa ho kenyelletsa e bua ka hoo e ka bang lekholong la 4th, nako ea phetoho ea Bokreste ho ba naha. bolumeli (Byzantium tlas’a Moemphera Constantine); joale Jubile e ne e e-na le botho ba nyakallo ea thabo. Mona, ka lekhetlo la pele, ho bina ('mino) ho ile ha fumanoa ka hare. tokoloho, ho tsoa boemong bo tlase ba mongolo oa mantsoe (extramusical factor) le morethetho, o neng o theiloe holim'a motjeko. kapa ho tsamaya. "Ea ithabelang ha a bue mantsoe: lena ke lentsoe la moea o qhibilihang ke thabo ...," Augustine o ile a bontša. Foromo ea C. ka mongolo o namela Europe ka halofo ea bobeli. 9 ho. tlas'a tšusumetso ea libini tsa Byzantine (le Bulgarian?) (ho ea ka A. Gastue, 1911, ka letsohong. C. ho na le matšoao: graeca, bulgarica). S., ka lebaka la ho nkela sengoloa sebakeng sa sehopotso. chant, hape e amohetse lebitso "prose" (ho latela e 'ngoe ea liphetolelo, lentsoe "prose" le tsoa ho mongolo o tlas'a sehlooho pro sg = pro sequentia, ke hore. prose). e. “ho e-na le tatellano”; French pro seprose; leha ho le joalo, tlhaloso ena ha e lumellane hantle le lipolelo tse tšoanang khafetsa: prosa cum sequentia - "prose with a sequent", prosa ad sequentiam, sequentia cum prosa - mona "prose" e hlalosoa e le mongolo ho ea ho tatellano). Ho atolosoa ha jubile melisma, haholo-holo ho hatisa melodic. qalong, e ne e bitsoa longissima melodia. E 'ngoe ea mabaka a entseng hore ho nkeloe sebaka sa mongolo bakeng sa sehopotso ke mekhoa. bothata ba ho hopola “molodi o molelele ka ho fetesisa”. Ho theha foromo ea C. e ngotsoe ke moitlami ea tsoang ntlong ea baitlami ea St. Gallen (e Switzerland, haufi le Letša la Constance) Notker Zaika. Ketapeleng ya Buka ya Difela (Liber Ymnorum, c. 860-887), Notker ka boeena o bua ka nalane ea S. mofuta: moitlami o ile a fihla St. Gallen ea tsoang ntlong ea abbey e senyehileng ea Jumiège (ho Seine, haufi le Rouen), ea ileng a fetisa boitsebiso ka S. ho ea St. Ba-Gallenia. Ka keletso ea tichere ea hae, Iso Notker o ile a ngola lihopotso ho latela silabi. molao-motheo (noko e le 'ngoe ka molumo oa molodi). Ena e ne e le mokhoa oa bohlokoa haholo oa ho hlakisa le ho lokisa "melodi e telele ka ho fetisisa", ke hore hobane ka nako eo e ne e le mokhoa o ka sehloohong oa 'mino. tlhaloso e ne e sa phethahala. Ka mor'a moo, Notker o ile a tsoela pele ho qapa letoto la S. “ka ho etsisa” lipina tsa mofuta ona tseo a li tsebang. Rahistori. bohlokoa ba mokhoa oa Notker ke hore kereke. libini le libini ka lekhetlo la pele ba bile le monyetla oa ho theha e ncha. mmino (Nestler, 1962, leq. 63).

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(Ho ka ba le mefuta e meng ea sebopeho sa C.)

Sebopeho se ne se theiloe holim'a litemana tse peli (bc, de, fg, ...), tseo mela ea tsona e batlang e lekana hantle ka bolelele (noto e le 'ngoe - senoko se le seng), ka linako tse ling e amana le litaba; lipara tsa mela hangata lia fapana. Habohlokoa ka ho fetesisa ke khokahano e pharalletseng lipakeng tsa lipheletso tsohle (kapa hoo e batlang e le tsohle) tsa Muses. mela - e ka ba ka molumo o tšoanang, kapa esita le ho koala ka tse tšoanang. liphetoho.

Sengoliloeng sa Notker ha se na morethetho, e leng se tloaelehileng nakong ea pele ho nts'etsopele ea S. (9th-10th century). Mehleng ea Notker, ho bina ho ne ho se ho ntse ho sebelisoa k'hoaere, antiphonally (hape le ka mantsoe a fapanyetsanoang a bashanyana le banna) "e le hore ho ka bontšoa tumello ea bohle ka lerato" ( Durandus, lekholong la bo13 la lilemo). Sebopeho sa S. ke mohato oa bohlokoa ntlafatsong ea 'mino. ho nahana (sheba Nestler, 1962, leqepheng la 65-66). Hammoho le liturgical S. boetse ho na le extraliturgical. ya sehloho (ka Selatine; ka nako tse ding le instr. accompaniment).

Hamorao S. li ile tsa aroloa ka mefuta e 2: bophirimela (Provence, leboea Fora, Engelane) le bochabela (Jeremane le Italy); har'a mehlala

Tatelano |

Hotker. Tatelano.

polyphony ea pele e fumaneha hape ho S. (S. Rex coeli domine in Musica enchiriadis, lekholong la borobong la lilemo). S. e ile ea susumetsa tsoelo-pele ea mefuta e itseng ea lefatše (estampie, Leich). Sengoloa sa S. se fetoha morethetho. Mokhahlelo oa bobeli oa ho iphetola ha lintho oa S. o qalile lekholong la bo9 la lilemo. (moemeli ea ka sehloohong ke mongoli oa "prose" Adam ea tummeng ea tsoang Parisian abbey ea Saint-Victor). Ka sebōpeho, li-syllables tse tšoanang li atamela sefela (ho phaella ho syllabics le rhyme, ho na le metara temaneng, sebopeho sa nako, le cadences ea rhyming). Le ha ho le jwalo, molodi wa sefela o tshwana le ditemaneng tsohle, mme ho S. o amahanngwa le ditemana tse pedi.

Polelo ea pina hangata e na le mela e 4, 'me S. e na le 3; ho fapana le pina, S. e reretsoe bongata, eseng bakeng sa officio. Nako ea ho qetela ea tsoelo-pele ea S. (13-14 lekholong la lilemo) e ne e tšoauoa ka tšusumetso e matla ea batho bao e seng ba liturgical. mefuta ya dipina tsa setso. Taelo ea Lekhotla la Trent (1545-63) ho tsoa kerekeng. litšebeletso li ile tsa lelekoa hoo e batlang e le S., ntle le tse 'nè: Easter S. "Victimae paschali laudes" (mongolo, mohlomong le mololi - Vipo oa Burgundy, halofo ea 1 ea lekholo la bo11 la lilemo; K. Parrish, J. Ole, leq. 12-13, ho tsoa pinaneng ena, mohlomong ho tloha lekholong la bo13 la lilemo, pina e tummeng ea “Christus ist erstanden” e simolohile); S. moketeng oa Boraro-bo-bong "Veni sancte spiritus", eo ho thoeng ke S. Langton (d. 1228) kapa Mopapa Innocent III; S. bakeng sa mokete oa 'Mele oa Morena "Lauda Sion Salvatorem" (sengoliloeng ke Thomas Aquinas, hoo e ka bang ka 1263; pina ea thoriso qalong e ne e amahanngoa le mongolo oa S. e 'ngoe - "Laudes Crucis attolamus", e boleloang ke Adama oa St. . Victor, e ileng ea sebelisoa ke P. Hindemith opera “Artist Mathis” le symphony ea lebitso le tšoanang); S. pele. 13th c. Doomsday Dies irae, ca. 1200? (e le karolo ea Requiem; ho latela khaolo ea 1 ea buka ea moprofeta Sofonia). Hamorao, S. ea bohlano e ile ea amoheloa, moketeng oa Mahlomola a Supileng a Maria - Stabat Mater, 2nd floor. 13th c. (bongoli ba mongolo ha bo tsejoe: Bonaventure?, Jacopone da Todi?; melody by D. Josiz – D. Jausions, d. 1868 or 1870).

Sheba Notker.

2) Thutong ea S. kutloano (Sequenze ea Sejeremane, French marche harmonique, tsoelo-pele, tsoelo-pele ea Setaliana, tatellano ea Senyesemane) - ho pheta-pheta melodic. sepheo kapa tumellano. Phetoho ka bophahamo bo fapaneng (ho tloha mohatong o fapaneng, ka senotlolo se fapaneng), ho latela hang ka mor'a ho tsamaisa pele e le tsoelo-pele ea eona hanghang. Hangata tatellano eohle ea naz. S., le likarolo tsa eona - lihokela S. Sepheo sa harmonic S. hangata se na le tse peli kapa ho feta. ho lumellana ka mesebetsi e bonolo. likamano. Nako eo kaho ea pele e fetoloang ka eona e bitsoa. S. mohato (liphetoho tse tloaelehileng ka ho fetisisa ke tsa bobeli, tsa boraro, tsa bone ho theoha kapa holimo, hangata haholo ka linako tse ling; mohato o ka fetoha, mohlala, oa pele ka oa bobeli, ebe oa boraro). Ka lebaka la ho ata ha liphetoho tsa 'nete tsamaisong e kholo-e nyane ea tonal, hangata ho na le ho theoha ha S. ka metsotsoana, khokahanyo ea eona e na le likhetho tse peli karolong e tlase ea bohlano (ea nnete). Ka 'nete e joalo (ho ea ka VO Berkov - "khauta") S. o sebelisa likhato tsohle tsa tonality ho theola karolo ea bohlano (ho ea holimo ho bone):

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GF Handel. Suite g-moll bakeng sa harpsichord. Passacaglia.

S. e nang le motsamao o eang holimo ka karolo ea bohlano (plagal) ke ntho e sa tloaelehang (bona, ka mohlala, phetoho ea 18 ea Rhapsody ea Rachmaninov ka Sehlooho sa Paganini, mekoallo 7-10: V-II, VI-III ho Des-dur). Mokotla oa S. ke motsamao oa linear le melodic, ho Krom lintlha tsa eona tse feteletseng li na le boleng bo hlalosang ba ts'ebetso; ka har'a lihokelo tse bohareng tsa S., mesebetsi e fapaneng e atile.

S. hangata classified ho ea ka melao-motheo e 'meli - ho ea ka mosebetsi oa bona ka ho hlophisoa (intratonal - modulating) le ho ea ka ba bona ba k.-l. ho tloha molokong oa tsamaiso ea molumo (diatonic - chromatic): I. Monotonal (kapa tonal; hape le tsamaiso e le 'ngoe) - diatonic le chromatic (ka ho kheloha le li-dominants tsa bobeli, hammoho le mefuta e meng ea chromatism); II. Modulating (multi-system) - diatonic le chromatic. Tatelano ea chromatic ea molumo o le mong (e nang le likhaello) nakong ea nako hangata e bitsoa ho feto-fetoha (ho ea ka linotlolo tse amanang), seo e seng 'nete (VO Verkov o hlokometse ka nepo hore "tatellano e nang le liphapang ke tatelano ea molumo"). Mehlala e fapaneng. mefuta ea S .: diatonic ea molumo o le mong - "Phupu" ho tloha "The Seasons" ka Tchaikovsky (baraka 7-10); chromatic ea molumo o le mong - kenyelletso ea opera "Eugene Onegin" ea Tchaikovsky (li-bar 1-2); modulating diatonic - selelekela ho d-moll ho tloha moqolong oa I oa Bach's Well-Tempered Clavier (bare 2-3); ho fetola chromatic - nts'etsopele ea karolo ea I ea symphony ea 3 ea Beethoven, mekoallo 178-187: c-cis-d; tlhaloso ea karolo ea I ea symphony ea 4 ea Tchaikovsky, mekoallo 201-211: hea, adg. Phetoho ea Chromatic ea tatellano ea 'nete hangata ke seo ho thoeng ke sona. "ketane e ka sehloohong" (bona, ka mohlala, aria ea Martha ho tloha ketsong ea bone ea opera "Monyaluoa oa Tsar" ka Rimsky-Korsakov, palo ea 205, mekoallo 6-8), moo matla a khoheli a bonolo a diatonic. li-dominants tsa bobeli li nkeloa sebaka ke li-chromatic tse bohale ("melumo e fapaneng ea ho bula"; bona Tyulin, 1966, leq. 160; Sposobin, 1969, p. 23). Ketane e ka sehloohong e ka tsamaea ka bobeli ka har'a senotlolo se le seng (ka nako e itseng; mohlala, sehloohong se ka thōko sa "Romeo le Juliet" ea Tchaikovsky), kapa e be modulating (ntlafatso ea qetello ea symphony ea Mozart ho g-moll, mekoallo 139-47, 126 -32). Ntle le litekanyetso tsa mantlha tsa ho hlophisoa ha S., tse ling le tsona li bohlokoa, mohlala. Karohano ea S. ka melodic. le chordal (haholo-holo, ho ka 'na ha e-ba le ho se lumellane pakeng tsa mefuta ea melodic le chord S., e tsamaeang ka nako e le' ngoe, mohlala, selelekela sa C-dur ho tloha ho Shostakovich's op. Chordal - diatonic), ka ho toba le ho fapana.

S. e boetse e sebelisoa ka ntle ho tsamaiso e kholo-e nyenyane. Ka mekhoa e ts'oanang, ho pheta-pheta ka tatellano ho bohlokoa ka ho khetheha, hangata ho fetoha mokhoa o tloaelehileng oa ho hlahisa sebopeho sa modal (mohlala, tsamaiso e le 'ngoe ea S. sebakeng sa ho koeteloa ha Lyudmila ho tloha opera Ruslan le Lyudmila - melumo.

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ka solo ea Stargazer ho tloha The Golden Cockerel, palo ea 6, mekoallo 2-9 - likhetho

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ho fetola mekhoa e mengata ea S. mosebetsing oa 9. Sonata ke Scriabin, mekoallo 15-19). 'Mino oa morao-rao oa S. o ntlafatsoa ka likhetho tse ncha (mohlala, polyharmonic modulating S. sehloohong sa mokete o kopanyang oa karolo ea 6 ea piano ea 24 ea sonata ea Prokofiev, mekoallo 32-XNUMX).

Molao-motheo oa S. o ka iponahatsa ka litekanyo tse fapaneng: maemong a mang, S. e atamela ho tšoana ha melodic. kapa harmonic. liphetoho, ho theha micro-C. (mohlala, "Gypsy Song" ho tsoa ho opera ea Bizet "Carmen" - melodic. S. e kopantsoe le ho tšoana ha lipina tse tsamaisanang le - I-VII-VI-V; Presto ho sonata ea 1 bakeng sa fiolo ea solo ea JS Bach, mekoallo ea 9 - 11: I-IV, VII-III, VI-II, V; Intermezzo op. 119 No 1 ho h-moll ke Brahms, mekoallo 1-3: I-IV, VII-III; Brahm e fetoha ho bapisa). Maemong a mang, molao-motheo oa S. o fetela ho ho pheta-pheta ha mehaho e meholo ka linotlolo tse fapaneng hole, ho etsa macro-S. (ho ea ka tlhaloso ea BV Asafiev - "parallel conductions").

Morero oa mantlha oa S. ke ho theha sephetho sa nts'etsopele, haholo nts'etsopele, likarolo tse hokahanyang (ho Handel's g-moll passacaglia, S. e amahanngoa le sebopeho se theohang sa g - f - es - d sa mofuta; sena mofuta oa S. e ka boela ea fumanoa mesebetsing e meng ea mofuta ona).

S. joalo ka mokhoa oa ho pheta lipina tse nyane. diyuniti, ka ho hlakileng, esale e le teng 'minong. Ho e 'ngoe ea litemana tsa Segerike (Anonymous Bellermann I, bona Najock D., Drei anonyme griechische Trackate über die Musik. Eine kommentierte Neuausgabe des Bellermannschen Anonymus, Göttingen, 1972) melodic. setšoantšo se nang le thuso e kaholimo. molumo o boleloa (ho hlakile, molemong oa thuto le mokhoa) ka mokhoa oa likhokahano tse peli S. - h1 - cis2 - h1 cis2 - d2 - cis2 (e tšoanang e ho Anonymous III, eo ho eona, joalo ka S., setšoantšo se seng sa melodic. - tsoha "tsela tse ngata"). Ka linako tse ling, S. e fumanoa pina ea Gregorian, mohlala. polelong ea nyehelo ea Populum (V) temaneng ea 2:

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S. ka linako tse ling e sebelisoa pineng ea moprofesa. 'mino oa Mehleng e Bohareng le Mehleng ea Tsosoloso. E le mokhoa o khethehileng oa ho pheta-pheta, li-sequin li sebelisoa ke beng ba sekolo sa Parisian (12th ho ea mathoasong a lekholo la bo13 la lilemo); ka mantsoe a mararo butle-butle "Benedicta" S. ka mokhoa oa ho fapanyetsana lentsoe ho etsahala karolong ea setho sa lentsoe le tlaase le tsitsitseng (Yu. Khominsky, 1975, pp. 147-48). Ka ho ata ha thekenoloji ea canonical e ile ea hlaha ebile e le ea molao. S. ("Patrem" by Bertolino of Padua, bar 183-91; bona Khominsky Yu., 1975, pp. 396-397). Melao-motheo ea polyphony e thata ea lekholong la bo15-16 la lilemo. (haholo-holo har'a Palestrina) ho e-na lebisitsoe khahlanong le ho pheta-pheta ho bonolo le S. (le ho pheta-pheta ka bophahamo bo fapaneng nakong ena haholo-holo ho etsisa); leha ho le joalo, S. e ntse e tloaelehile ho Josquin Despres, J. Obrecht, N. Gombert (S. e ka boela ea fumanoa Orlando Lasso, Palestrina). Lingoliloeng tsa theory S. hangata li qotsoa e le mokhoa oa linako tse hlophisitsoeng kapa ho bonts'a molumo oa phetoho ea monophonic (kapa polyphonic) maemong a fapaneng ho latela moetlo oa khale oa "methodical"; bona, mohlala, “Ars cantus mensurabilis” ka Franco oa Cologne (lekholong la bo13 la lilemo; Gerbert, Scriptores…, t. 3, leq. 14a), “De musica mensurabili positio” ka J. de Garlandia (Coussemaker, Scriptores…, t. 1, leqepheng la 108), "De cantu mensurabili" ea Anonymus III (ibid., leqepheng la 325b, 327a), joalo-joalo.

S. ka kutloisiso e ncha - joalo ka ha tatelano ea li-chords (haholo-holo e theoha ka karolo ea bohlano) - e se e atile ho tloha lekholong la bo17 la lilemo.

References: 1) Kuznetsov KA, Kenyelletso ea histori ea 'mino, karolo ea 1, M. - Pg., 1923; Livanova TN, Histori ea 'mino oa Europe Bophirimela ho fihlela ka 1789, M.-L., 1940; Gruber RI, Nalane ea setso sa 'mino, vol. 1, karolo ea 1. M.-L., 1941; ea hae, Histori ea Kakaretso ea ’Mino, karolo ea 1, M., 1956, 1965; Rosenshild KK, Histori ea 'mino oa linaheng tse ling, vol. 1 - Ho fihlela bohareng ba lekholo la bo18 la lilemo, M., 1963; Wölf F., Lber die Lais, Sequenzen und Leiche, Heidelberg, 1; Schubiger A., ​​​​Die Sängerschule St. Gallens von 1841. bis 8. Jahrhundert, Einsiedeln-NY, 12; Ambros AW, Geschichte der Musik, Bd 1858, Breslau, 2; Naumann E., Illustrierte Musikgeschichte, Lfg. 1864, Stuttg., 1 (phetolelo ea Serussia - Hayman Em., Histori e akaretsang ea 'mino, vol. 1880, St. Petersburg, 1); Riemann H., Katechismus der Musikgeschichte, Tl 1897, Lpz., 2 Wagner, P., Einführung in die gregorianische Melodien, (Bd 1888), Freiburg, 2, Bd 1897, Lpz., 1928; Gastouy A., L'art grégorien, P., 1; Besseler H., Die Musik des Mittelalters und der Renaissance, Potsdam, 1895-3; Prunières H., Nouvelle histoire de la musique, pt 1921, P., 1911 Johner D., Wort und Ton im Choral, Lpz., 1931, 34; Steinen W. vd, Notker der Dichter und seine geistige Welt, Bd 1-1934, Bern, 1; Rarrish C, Ohl J., Masterpieces of music before 1937, NY, 1940, L., 1953 The Oxford History of Music, v. 1, L. – Oxf., 2, same, NY, 1948; Chominski JM, Historia harmonii i kontrapunktu, t. 1 Kr., 1750 (phetolelo ea Seukraine - Khominsky Y., History of Harmony and Counterpoint, vol. 1951, K., 1952); Nestler G., Geschichte der Musik, Gütersloh, 1975; Gagnepain V., La musigue français du moyen age et de la Renaissance, P., 2: Kohoutek C., Hudebni stylyz hlediska skladatele, Praha, 1932. 1973) Tyulin Yu. H., Ho ruta ka kutloano, M. – L. , 1, Moscow, 1958; Sposobin IV, Lipuo tse mabapi le ho lumellana, M., 1; Berkov VO, Ho bōpa mekhoa ea ho lumellana, M., 1975. Sheba hape le lit. tlas'a sehlooho sa Harmony.

Yu. N. Kholopov

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