Lebitla, lebitla |
Melao ea 'Mino

Lebitla, lebitla |

Lihlopha tsa bukantswe
dipehelo le mehopolo

Setaliana, ho bonesa. - e thata, e tebileng, ea bohlokoa

1) Mmino. lentsoe le ileng la hlaha lekholong la bo17 la lilemo E ne e bontša boikitlaetso bo lebisang ho "boima", bo tebileng, tšobotsi ea mokhoa oa Baroque. E ne e amahanngoa le khopolo ea ho ama (bona. Affect theory). S. Brossard ka 1703 o fetolela lentsoe “G.” e le "boima, bo bohlokoa, bo boholo 'me ka hona hoo e batlang e le butle kamehla". G. e bolela tempo e haufi le largo, mahareng pakeng tsa lento le adagio. E hlaha khafetsa mesebetsing ea JS Bach (Cantata BWV 82) le GF Handel (libini "'Me Iseraele a re", "Ke Morena oa ka" ho tloha ho oratorio "Iseraele Egepeta"). Haholo-holo e atisa ho sebelisoa e le pontšo ea lebelo le tlhaho ea li-intrads tse liehang - li-intrads, li-introductions to overtures ("Messiah" ka Handel), ho ea likarolong tsa pele tsa cyclic. mesebetsi (Beethoven's Pathetic Sonata), ho lipapali tsa opera (Fidelio, kenyelletso ea ketsahalo chankaneng), joalo-joalo.

2) Mmino. lentsoe le sebedisoang joalo ka tlhaloso ya lentsoe leleng mme le bolelang “tebile”, “tlase”. Kahoo, mantsoe a mabitla (mantsoe a tlaase, hangata e le mabitla) ke lebitso le hlahisitsoeng ke Hukbald bakeng sa tetrachord e tlaase ea tsamaiso ea molumo oa nako eo (tetrachord e rapaletseng ka tlas'a liphetho tse 'nè; Gc). Octave graves (low octave) - suboctave-koppel ka har'a organ (sesebelisoa se neng se lumella sebini ho etsa habeli lentsoe le etsoang ho octave e tlase; joalo ka li-octave tse ling tse habeli, e ne e sebelisoa haholo-holo lilemong tsa bo-18-19; lekholong la bo20 la lilemo. lekholong la lilemo e ile ea se ke ea sebelisoa , kaha ha ea ka ea fana ka matlafatso ea molumo oa timbre le ho fokotsa ho pepeseha ha lisele tsa molumo).

References: Brossard S. de, Bukana ea 'Mino, e nang le tlhaloso ea mantsoe a sebelisoang haholo a Segerike, Selatine, Setaliana le Sefora 'minong…, Amst., 1703; Hermann-Bengen I., Tempobezeichnungen, “Mьnchner Verцffentlichungen zur Musikgeschichte”, I, Tutzing, 1959.

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