Eketsa |
Melao ea 'Mino

Eketsa |

Lihlopha tsa bukantswe
dipehelo le mehopolo

lat. ho eketsa; Katoloso ea Sejeremane, Vergräerung; ho eketsa French; itale. ka netefatso

1) Mokhoa oa ho fetolela pina, sehlooho, sepheo, sekhechana sa 'mino. sehlahiswa, mothalo o morethetho kapa sebopeho, mmoho le ho kgefutsa ka ho letsa medumo (dikhutso) tsa nako e telele. U. e nka rekoto e nepahetseng ea morethetho, e ileng ea etsahala ka lebaka la mensural notation; ho hlaha ha eona ho tloha mehleng ea ars nova 'me e amahanngoa le mokhoa o lebisang ho morethetho. boikemelo polyphonic. mantsoe le molao-motheo oa isorhythmia (sheba Motet). U. e sebelisoa haholo 'minong o thata, haholo-holo ke li-contrapuntalists tsa Franco-Flemish - G. Dufay (ho nahanoa ka mongoli oa canon ea pele U.), J. Okegem (ka mohlala, ho Missa prolationum), J. Obrecht, Josquin Ho tepella maikutlo. U. habonolo le ka mokhoa o kholisang bakeng sa ho utloa e senola kamano ea nakoana pakeng tsa polyphonic. karo-karolelano ea likhetho lipakeng tsa likarolo tsa foromo; joalo ka mokhoa ofe kapa ofe o senolang botlaaseng, tsamaiso, logic ea ho hlophisoa ha melumo, U. e na le boleng ba sebopeho le ka kutloisiso ena ka polyphonic. 'mino o lekana le ketsiso, counterpoint e rarahaneng, phetoho le mekhoa e meng ea ho fetolela polyphonic. lihlooho (hammoho le tseo hangata li sebelisoang). Li-contrapuntalists tsa boholo-holo ha lia ka tsa etsa ntle le U. ka liforomo tsa cantus firmus ka masses, motets: chorales e utloahalang hantle ka U. in the architectonic. mabapi le ho tiisa mosebetsi ka botlalo, ka tsela ea tšoantšetso - ka tlhaho e amahanngoa (moelelong oa mekhoa eohle ea ho bua) le setšoantšo sa mohopolo oa boholo, sepheo, bokahohle. Litsebi tsa U. tsa ho ngola ka thata li ile tsa kopanngoa le ketsiso le canon. Ketsiso (canon), eo ho eona ho fanoang ka li-risposts tse itseng ka U., hammoho le ho etsisa (canon), moo mantsoe ’ohle a qalang ka nako e le ’ngoe, ’me a le mong kapa a mang a ea U., a bitsoa imitation (canon) ka U. Mohlaleng o ka tlase, phello ea U. e matlafatsoa ka ho boloka ntlha e hanyetsanang le mantsoe a tlase le a holimo (sheba kholomo 666).

Mohlala oa canon ea banna ea Josquin Despres e fanoe ho Art. Canon (khololo ya 692) (e seng yona e bitswa tekano: e ngotsweng ke moqapi moleng o le mong mme e balwe ho ya ka ditaelo tsa mongodi). Ka mefuta ea cantus firmus, ea morao-rao e hlahisoa khafetsa ka U. (ka kakaretso kapa ka likaroloana, hangata e sa nepahale, ka linako tse ling ka lintlha tse nyenyane tse tlatsang ho qhoma ha melodic; bona mohlala ho kholomo ea 667).

U. - ho fapana le ho fokotseha - e holisa, e khetha lentsoe le le leng ho tsoa ho polyphonic e akaretsang. bongata, e e phahamisa ka mokhoa o hlophisitsoeng. bohlokoa. Mabapi le sena U. e fumane kopo ho ricerkara - foromo ka ho khaola karolo e ka sehloohong ea polyphonic e ikemetseng e ile ea hlalosoa butle-butle. lihlooho le mecheng hang-hang li ile tsa etella pele mofuta oa bohlokoa ka ho fetisisa oa mokhoa oa mahala - fugue (sheba mohlala ho kholomo ea 668).

JS Bach, ha a akaretsa phihlelo ea Europe. polyphony, e atisang ho sebelisoa ke W., mohlala. ka bongata ho h-moll - ho Credo (No 12) le Confiteor ((No 19), 5-head double fugue on chorale: tema ea bobeli (tekanyo ea 2), khokahano ea lihlooho (tekanyo ea 17), khokahano ea lihlooho le chorale basses (tekanyo 32), kgokahanyo ya dihloho le chorale ho U. ka tennor (tekanyo 73)). Ha li se li fihletse phetheho e phahameng ka ho fetisisa li-cantatas, litakatso, ho ikamahanya le litho tsa 'mele oa Bach's chorales, liforomo tsa cantus firmus ha e le hantle li ile tsa nyamela tloaelong ea moqapi; hamorao U. o ile a fumana mefuta e fapaneng ya dikopo ka non-polyphonic. 'mino, ha o ntse o tsoela pele ho ba tšobotsi ea fugue. Lebitso le amohelehang la sehlooho sa fugue ho W. -. U. ka linako tse ling e fumanoa tlhalosong (Contrapunctus VII ho tsoa ho Bach's The Art of Fugue; Shchedrin's Fugue Es-dur No. 92).

J. Animuccia. Christe eleyson ho tsoa ho bongata ba Conditor aimme syderum.

Hangata e fumana sebaka ho stretta (ka litekanyo tsa 62 le 77 tsa dis-moll fugue ho tloha moqolong oa 1 oa Bach's Well-Tempered Clavier; ka mehato ea 62 le ea 66 ea As-dur fugue op. 87 ea Shostakovich), e kopanyang mekhoa e meng ea phetoho (ka tekanyo ea 14 ea c-moll fugue ho tloha moqolong oa 2 oa Well-Tempered Clavier, sehlooho se U., ka potoloho le motsamao o tloaelehileng; ka mehato ea 90 le ea 96 ea Des-dur fugue

Cantus firmus ka boima ba G. Dufay L'homme armé. Ho fanoe ka qaleho ea mekhoa, mantsoe a hanyetsanang a tlosoa: a - pono e kholo; b - eketsa ka melumo e eketsehileng; c, d, e - dikgetho tsa ho hōlisa; f - ho fokotseha. op. 87 ea Shostakovich, sehlooho se tsamaeang ka mokhoa o tloaelehileng 'me ka nako e ts'oanang e le sehlooho ho U., ka tekanyo ea 150, sehlooho le U. ea eona habeli le hararo). W. ntlafatsa ka sehloohong. tla hlalosa. boleng ba stretta ke mahloriso a thematism, borui ba semantic, bo bonahalang ka ho khetheha ho fugues le symphony. nts'etsopele (stretta karolong ea nts'etsopele ea thothokiso ea symphonic "Prometheus" ea Liszt; virtuoso stretta ho tsoa ho cantata

A. Gabrieli. Reachercar (stretta in magnification).

"Ka mor'a ho bala pesaleme" Taneyev, No 3, nomoro 6; tekanyo 331 ke sehlooho sa U. mme tekanyo ea 298 ke sehlooho ho U. ka tema ka motsamao o tlwaelehileng khoutu ya tshebetso ya 2. li-sonatas tsa Myaskovsky; mohlala oa kenyelletso ea sehlooho ho U. sehlohlolong - kantle ho stretta - fugue ho tsoa ho 1st suite ea P. I. Tchaikovsky). Stretta - ka sehloohong. mofuta oa canon ho W., le hoja ka linako tse ling e fumanoa ka ntle ho stretta (qalo ea scherzo ea symphony ea pele ea Shostakovich; qalo ea karolo ea 1 ea quartet ea moqapi oa Latvia R. Kalson; e le lintlha tse qaqileng tsa sebopeho ka mekoallo 29-30 ho tloha No 1 ea Lunar Pierrot "ka Schoenberg), ho akarelletsa le e le sengoathoana se feletseng (phapang IV ho tloha "Canonical Variations on a Christmas Carol", BWV 769, No 6 in "Musical Offering". ” le Canon I ho “Art of Fugue” ea Bach – li-canon tse sa feleng U. le ho potoloha; Che. 21 ho tsoa Likaneng tsa Lyadov; Selelekela sa Stanchinsky Ges-dur; Che. 14 ho tsoa ho Shchedrin's Polyphonic Notebook). Sebakeng se seng sa polyphonic U. hangata 'mino ke mokhoa oa ho lla. kholiso ea mantsoe. lihlooho (lekanya 62 mokhatlong oa bo-5 oa Litlhoko tsa Sejeremane tsa Brahms; mekoallo 8-10 ho tloha ho Nomoro ea 9 ea All-Night Vigil ea Rachmaninov; concerto ea hae ea 2 ea piano, poeletso ea karolo e ka thōko ea mokhatlo oa pele; tekanyo ea 1 ka mor'a nomoro ea 4 mokhatlong oa pele oa simphony ea "Painter Mathis" ea Hindemith; maballo a mabeli ho isa ho nomoro ea 9 ho Berg's Violin Concerto). S. S. Prokofiev o ile a sebelisa U. ka karolo ea thabo e khahlehang (pina "Chatterbox" - Allegro As-dur; "Peter le Wolf" - nomoro ea 44). Phello e fapaneng e finyelloa setšoantšong sa boraro sa ketso ea boraro ea opera ea Berg Wozzeck, moo morethetho oa polka (lekanya 3, "ho qaptjoa bakeng sa morethetho o le mong") ho U. e sebetsa e le sesebelisoa sa polelo ea ho hlalosa boemo ba mohale (haholo-holo, mehato ea 3, 122, stretta ka tekanyo ea 145). U. ha e sebelisoe hangata joalo ka sesebelisoa sa nts'etsopele (bars 187, 180 karolong ea 363 ea symphony ea 371 ea Scriabin; karolo ea 1 ea symphony ea 3 ea Myaskovsky, linomoro tsa 4 le 5, hammoho le tekanyo ea bo87 pele ho palo ea 89 le 4 - tekanyo ea 15. ka mor'a palo e tšoanang mokhatlong oa 1 oa symphony ke "ho fokotsa" tsoelo-pele ea harmonic ka thuso ea W.; mokhatlo oa pele oa symphony ea 1 ea Shostakovich, linomoro tsa 1-5; ts'ebetso ea karolo e ka thōko ho nts'etsopele ea motsamao oa bo17 oa piano. Sonata No 1 ka Prokofiev), hangata litlhōrōng tsa lehae kapa tse akaretsang - tse mahlonoko (karolo ea bo7 ea quartet ea 4, linomoro tsa 6 le 193, karolo ea 195 ea piano ea quintet, nomoro ea 4, Taneyev), e tsotehang (karolo ea 220 ea 4 -th symphony). ka Shostakovich, linomoro tsa 1 le 28) kapa tse bohloko haholo (karolo ea 34 ea symphony ea 1 ea Myaskovsky, nomoro ea 6; ibid. linomoro 48-52 karolong ea 53: leitmotif, Za ira, E shoa irae, karolo e kholo ea 4- karolo ea th). Ka Serussia ho tšoara 'mino ho W. e sebetsa joalo ka mokhoa oa ho kenyelletsa epic. li-relics (karolo e ka sehloohong ea reprise ka makhetlo a mabeli, ho coda ka makhetlo a mane U.

Mefuta e sa Tloaelehang ea U. Tšebeliso ho 'Mino o Mocha oa Lekholo la 20th Century e khetholloang ke tšekamelo ea eona e akaretsang mabapi le ho rarahana le ho bala. Ho 'mino oa dodecaphone, U ka ba nako ea ho hlophisa tlhahiso ea lisebelisoa tsa serial.

A. Webern. Concerto op 24, mokhatlo oa pele. Ho eketseha le ho fokotseha ha tsoelo-pele ea morethetho.

bolokolohi ba harmonic bo etsa hore metsoako e rarahaneng ka ho fetisisa le W. e khonehe, mohlala. phethahatso e atlehileng ea sehlooho ho U. ka polyphony. Ho Stravinsky's double canon (e thehiloeng ho mokhoa oa Venetians G. le A. Gabrieli), proposte ea 2 ke U. e sa nepahaleng ea pele (sheba mohlala ho litšiea 670 le 671). U. le phokotso ke lintlha tsa bohlokoa ka ho fetisisa tsa virtuoso rhythmic. mekhoa ea O. Messiaen. Bukeng. "Mokhoa oa puo ea ka ea 'mino" o bontša mekhoa ea bona e seng ea meetlo. mefuta e amanang le sebopeho sa morethetho. lipalo le polyrhythms. le karo-karolelano ea polymetric polyphonic. likhetho (sheba mohlala kholomong ea 671). Mabapi le khopolo ea U. ka karo-karolelano ea polyphonic. mantsoe, Messiaen o hlahloba morethetho. li-canon (mofuta oa melodic ha o etsisoa), moo risposta e fetoloang ka letheba ka mor'a lengolo ("Liturgy tse tharo tse nyenyane tsa boteng ba bomolimo", karolo ea 1st, risposta ka U. makhetlo a le mong le halofo), le motsoako ea lipalo (hangata ostinato) tse fapaneng U. le phokotso (ka linako tse ling e leeme, e sa nepahaleng, e tsamaeang ka mahlakoreng; bona mohlala ho kholomo ea 672).

HAEBA Stravinsky. Canticum sacrum, karolo ea 3, mekoallo 219-236. Likarolo tsa likhoele tse kopitsang k'hoaere li siiloe. P, I, R, IR - likhetho tsa letoto.

O. Messia. Canon. Mohlala No 56 ho tsoa karolong ea 2 ea buka "The Technique of My Musical Language".

2) Ho mensural notation, keketseho ke keketseho ea nako ea lengolo ka halofo, e bonts'itsoeng ka letheba kamora lengolo. E boetse e bitsoa mokhoa oa ho rekota oo lintlha li bapaloang ka keketseho ea makhetlo a mabeli kapa a mararo ka nako: 2/1 (proportio dupla), 3/1 (proportio tripla).

O. Messia. Epouvante. Mohlala No 50 ho tsoa karolong ea 2nd ea buka "The Technique of My Musical Language".

References: Dmitriev A., Polyphony e le ntlha ea ho bōpa, L., 1962; Tyulin Yu., Art of counterpoint, M., 1964; Z Kholopov Yu., Ka litsamaiso tse tharo tsa kantle ho naha tsa kutloano, ka: Music and Modernity, vol. 4, M., 1966; Kholopova V., Lipotso tsa morethetho mosebetsing oa baqapi ba halofo ea pele ea lekholo la 1971, M., 1978; Maikutlo a theory ka nalane ea 'mino, Sat. Art., M., 1978; Mathata a morethetho oa 'mino, Sat. Art., M., 2; Riemann H., Handbuch der Musikgeschichte, Bd 1907, Lpz., 1500; Feininger L., Die Frühgeschichte des Kanons bis Josquin des Prez (um 1937), Emsdetten e Westf., 1; Messiaen O., Technique de mon langage musical, v. 2-1953, P., XNUMX. Bona le ho bonesa. ho Art. mensural notation.

VP Frayonov

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