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Ho tšoana (ho tsoa ho Segerike parallnlos - parallel, lit. - e fumaneha kapa e tsamaea ka mahlakoreng) - motsamao oa mantsoe a mabeli kapa ho feta a polyphonic polyphony. kapa mmino wa homophonic. masela a nang le ho boloka nako e tšoanang kapa linako tse pakeng tsa tsona ("open" P.), hammoho le mefuta e itseng ea ho tsamaea ha mantsoe ka tsela e le 'ngoe ("e patiloeng" P.). P. e lokela ho khetholloa ho tsoa habeli lentsoe le le leng ho octave esita le ho octave tse 'maloa, tse sebelisoang khafetsa ho prof. mmino. P. ke tšobotsi ea mefuta e itseng ea libethe. ditlaleho tsa batho ba itseng, mmino. mefuta (mohlala, Serussia le Seukraine Kant). Tse tsejoang ho tloha mehleng ea khale; mefuta ea pele ea moprofesa. polyphony e ne e itšetlehile ka motsamao o tšoanang oa mantsoe, 'me ha se karolo ea boraro feela, empa le karolo ea bohlano, quarts, esita le metsotsoana e sebelisitsoeng (sheba Organum). Ka mor'a moo, ho prof. mmino o fumane tshebediso Ch. arr. P. la boraro le la botshelela. P. octaves le bohlano lekholong la 13th-14th. mmino o ne o thibetswe. khopolo joalo ka ho tlola boikemelo ba motsamao oa lentsoe le leng le le leng. Lekholong la bo18 la lilemo ho ile ha theoa mokhelo o le mong molaong ona - karolo ea bohlano e bapileng e ile ea lumelloa ha ho rarolloa keketseho ea bohlano ea sextakcord ea degree ea VII ho tonic (e bitsoang "Mozartian fives"):

Ka lilemo tse 17-18. molao oa thibelo ea P. octave le karolo ea bohlano e ile ea boela ea fetisetsoa ho linyeoe tsa "Patiloeng" P. (ntle le seo ho thoeng ke "lenaka la bohlano") - metsamao ea mantsoe ka tsela e le 'ngoe ho ea ho octave kapa ea bohlano, hammoho le boitšoaro bo joalo. ea mantsoe, a nang le li-octave tse tšoanang tsa Krom kapa karolo ea bohlano li thehoa ka li-beats tse matla tsa mehato (le haeba linako tsena li ne li sa hlokomeloe ho pholletsa le tekanyo eohle); ho fetela ho octave kapa bohlano ka motsamao o fapaneng oa mantsoe le hona ho ne ho thibetsoe. Litsebi tse ling tsa khopolo-taba (G. Zarlino) li ne li nkoa e le tse sa rateheng tatellano ea likarolo tse peli tse kholo tse bapileng ka lebaka la tritone e entsoeng ke molumo o ka tlaase oa e ’ngoe le molumo o ka holimo oa e ’ngoe:

Ha e le hantle, ho sa kenyeletsoe lipina tsa setaele se thata le lipampiri tsa ho ithuta ka kutloano le polyphony, melao ena kaofela e hlokomeloa ho Ch. arr. mabapi le mantsoe a monate ka ho fetesisa a matle ka ho fetesisa. masela.

'Me ho tloha lekholong la bo19 la lilemo P. li-consonance le li-consonance tse feletseng hangata li sebelisoa ka boomo ke baqapi ho finyella bonono bo itseng. phello (G. Puccini, K. Debussy, IF Stravinsky) kapa ho tsosolosa sebopeho sa Nar. ho bapala 'mino,' mala oa khale (Verdi's Requiem).

References: Stasov VV, Lengolo le eang ho Monghali Rostislav mabapi le Glinka, Theatrical and Musical Bulletin, 1857, No 42 (hape bukeng: VV Stasov. Lingoloa tsa 'Mino, tse hlophisitsoeng ke VV Protopopov, khatiso ea 1, M., 1974, leqepheng la 352- 57); Tyulin Yu. N., Likamano tsa Theory and Practice tsa 'mino, L., 1938; Ambros AW, Zur Lehre vom Quintenverbote, Lpz., 1859; Tappert, W., Das Verbot der Quinten-Parallelen, Lpz., 1869; Riemann H., Von verdeckten Quinten und Oktaven, Musikalisches Wochenblatt, 1840 (e tšoanang le Präludien und Studien, Bd 2, Lpz., 1900); Lemacher H., Plauderei über das Verbot von Parallelen, “ZfM”, 1937, Bd 104; Ehrenberg A., Das Quinten und Oktavenparallelenverbot in systematischer Darstellung, Breslau, 1938.