Hlahisa |
pepesehela (lat. expositio – presentation, display, from expono – ray out, flaunt) – mosebetsi wa dikarolo tsa muses. mefuta ya mmino. monahano (kapa mohopolo oa 'mino), ho fapana le mosebetsi oa ho hlahisa, ho kopanya, ho iphetetsa, joalo-joalo; hape le lebitso la likarolo tse tsamaellanang le fugue, sebopeho sa sonata, rondo sonata (karolong ea 1 ea concerto ho na le E. habeli; bona le Foromo ea 'Mino, Nts'etsopele, Reprise, Coda). E. e phethahatsa qalong. ho bonts'a sehlooho (ka sebopeho sa sonata - sehlooho se seholo). Bakeng sa E. litlhaloso tse tloaelehileng. likarolo tsa kutloano, sehlooho le sebopeho se akaretsang, tseo hammoho li bopang litlhaloso. mofuta wa nehelano ya mmino. lintho tse bonahalang (ho ea ka IV Sposobin). Letšoao le ka sehloohong la mofuta ona ke "botsitso ba sebopeho le moruo oa lichelete" (IV Sposobin, "Musical Form", 1947, leq. 30): 1) bonngoe ba tonal le harmonic. botsitso ka phetoho e sebetsang ea likhetho; 2) sehlooho. bonngoe; 3) botšepehi ba sebopeho, boteng ba mehaho e kopanetsoeng (polelo, nako). Melao-motheo e akaretsang ea ho pepeseha. mofuta oa nehelano li sebelisoa ka tsela e fapaneng ka decomp. mefuta ea 'mino (mohlala, nako ea pele ka mokhoa o bonolo oa likarolo tse tharo, E. fugue, E. sonata foromo) le ho senyeha. mekhoa (tse ling li bolela li-classics tsa Viennese, tse ling tsa li-romantics tsa morao-rao, 'me tse ling li le 'mino oa tonal oa lekholong la bo20 la lilemo). Mehlala ea pepenene. expositions: JS Bach, The Well-Tempered Clavier, Volume 2, Fugue ho G Minor, mekoallo 1-24; L. Beethoven, symphony ea 5, mokhatlo oa 1, mekoallo 1-44; SS Prokofiev, sonata ea 9 bakeng sa pianoforte, mokhatlo oa pele, mekoallo 1-1; P. Hindemith, "Ludus tonalis", fugue ho C, mekoallo 20-1; HAEBA Stravinsky, "Merry branle" ho tloha ballet "Agon", mekoallo 11-310; A. Berg, Wozzeck, act 319, scene 2, bar 5-761; A. Webern, "Leseli la Mahlo" op. 768, mekoallo 26-8; RK Shchedrin, sonata bakeng sa pianoforte, motsamao oa pele, mekoallo 13-1.
References: bona ho Art. Mofuta oa 'mino.
Yu. N. Kholopov
